Rebel Without a Cause made quite a splash when it was released in 1955. Fat and happy in the postwar boom, American parents spent a lot of cartridge clip patting themselves on the back for they way they were raising their kids. Then along comes a movie that had the gall to portray affluent white teenagers as alienated and confused. It was an eye-opener. Dean plays Jim Stark, a disgruntled youth with an wretched residence life. His father (Jim Backus) is the ultimate henpecked husband, his mother (Ann Doran) a imperious shrew so image-conscious that the family has moved every time Jim has gotten into trouble. We bet him on Easter night, as he is picked up by the police for public drunkenness and taken to teen hall. There, we obtain the other major characters: Judy (Natalie timber), who was picked up wandering the streets after a fight with her father, and Plato (Sal Mineo), who celebrated his lonely birthday by stroke a litter of puppies with a handgun. The story unfolds a ll over the b ordinanceing 24 hours. Jim runs into trouble with the established crowd at his pertly school, and starts off a chain reaction that in conclusion leads to cataclysm for all of them. We focus on Dean because of his inopportune ending and obvious screen presence, but the most the right way feat belonged to Sal Mineo.
Jim and Judy are strong enough to survive their problems, Plato isnt. He has already retreated into a fantasy world when Jim comes along; when Jim inadvertently disrupts the fantasy, Plato finally cracks. Mineo conveys all of Platos emotions from puppyish devotion to barely-concealed ferocity with his huge, dogged eyes, only hinting at what is really go ing on inside. Natalie Wood becomes window ! dressing by the final act. Her maneuver was to deliver a female... If you want to get a practiced essay, order it on our website:
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