Shakespe aran tragedies r bely contain immaculate geeks. The characters whose lives get turned blossom down ordinarily either deserve it, or they instanter contri furthered to their declivity by holding onto rough flaw or vice. This is endlessly true for his tragic heroes, nevertheless what close to his pocket-size characters? They usually suffer just as much as the primary(prenominal) characters. They usually exhibit character flaws. The difference is that they are seldom responsible for their own crepuscle; their circumstances watch about from things outside of their control. Othellos Michael Cassio is an example of much(prenominal) a character. He is shown as a good military man with excusable flaws whose vile is score by people and events that he has no register over. Cassio is a character with many strengths and actually minor faults. He is presented as a man who is loyal, trustworthy, courteous and good natured. His homage and fill out for Othello are illustrated many time over. In the number virtuoso of Act II, he is shown as fraught with worry for Othellos safety. A gentleman remarks he speaks of shelter touching the Turkish detriment, unless he looks sadly and prays the Moor be safe.
(II, 1, 30-32) When he is demoted for fighting, he does not mourn his state for selfish reasons like the loss of his prestige, hardly because it has tarnished his reputation and has caused a interruption between himself and Othello. In contrast, his flaws are minor indeed. It can only be said of him that he is flirtatious, sleeps with a prostitute and cannot hold his drink. What is telling, is that these flaws are lesser versions of truly tragic flaws. It isnt said that he sleeps with some other mens wives, he is just familiar and friendly with them. He sleeps with a prostitute, Bianca, yes, but he isnt shown... If you want to get a full essay, articulate it on our website:
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