Shakespe aran tragedies r bely contain righteous causes. The characters whose lives get turned prime down commonly both deserve it, or they instanter contri furthered to their hastiness by holding onto near flaw or vice. This is unceasingly true for his sad heroes, unless what closely his pocket-size characters? They usually suffer just as much as the main characters. They usually exhibit character flaws. The difference is that they are seldom responsible for their own surrender; their circumstances watch about from things outside of their control. Othellos Michael Cassio is an example of such a character. He is shown as a good gay with boor flaws whose vile is orchestrate by people and events that he has no register over. Cassio is a character with many strengths and truly minor faults. He is presented as a man who is loyal, trustworthy, humble and good natured. His homage and respect for Othello are illustrated many quantify over. In the number integrity of Act II, he is shown as fraught with worry for Othellos safety. A gentleman remarks he speaks of sympathiser touching the Turkish detriment, unless he looks sadly and prays the Moor be safe.
(II, 1, 30-32) When he is demoted for fighting, he does non mourn his state for egotistic reasons like the loss of his prestige, yet because it has tarnished his reputation and has caused a respite between himself and Othello. In contrast, his flaws are minor indeed. It can only be said of him that he is flirtatious, sleeps with a prostitute and cannot hold his drink. What is telling, is that these flaws are lesser versions of truly tragic flaws. It isnt said that he sleeps with other(a) mens wives, he is just familiar and friendly with them. He sleeps with a prostitute, Bianca, yes, but he isnt shown... If you want to get a full essay, articulate it on our website:
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